[4] Lucas embraced the idea, using his early 1960s teenage experiences cruising in Modesto, California. John Milner : The title card at the end of "American Graffitti"does a great job of addressing the turbulent changes that were to come while still preserving the film's innocence. Hey you're s'posed to be the fastest thing in the Valley man, but that can't be your car, it must be your mama's car! "[13] Walter's script also had Steve and Laurie going to Nevada to get married without their parents' permission. American Graffiti (1973) Harrison Ford: Bob Falfa Showing all 11 items Jump to: Photos (6) Quotes (5) Photos Quotes Bob Falfa : Hey man, I'm sorry if I scared ya! En route, Curt sees a beautiful blonde woman driving a white Ford Thunderbird next to them, who mouths "I love you" before turning a right. Hey Carol But there is more to the characters' stories. [48] Gene Siskel awarded three-and-a-half stars out of four, writing that although the film suffered from an "overkill" of nostalgia, particularly with regards to a soundtrack so overstuffed that it amounted to "one of those golden-oldie TV blurbs," it was still "well-made, does achieve moments of genuine emotion, and does provide a sock (hop) full of memories. "Explosive Decompression/Frog Giggin'/Rear Axle". Physical description [28] Murch suggested making Wolfman Jack's radio show the "backbone" of the film. : Search Birth.Movies.Death. You go on over there and you remember all the good times you won't be having. [22], The final scenes in the film, shot at Buchanan Field, feature a Douglas DC-7C airliner of Magic Carpet Airlines, which had previously been leased from owner Club America Incorporated by the rock band Grand Funk Railroad from March 1971 to June 1971. : As a result, production was moved to Petaluma. Norton doesn't achieve a true dramatic convergence of parallel stories; and his historical vision is confined to cheerleading reaffirmations of all the old counterculture cliches about war, cops, Women's Liberation, you name it. "I wanted something that was more like the way I grew up. Terry Fields [17], The film's lengthy casting process was overseen by Fred Roos, who worked with producer Francis Ford Coppola on The Godfather. John is still a drag racer, and he falls in love with a woman from Iceland before heading off to his untimely death. Behind the scenes Producer Coppola encouraged Lucas to cast Wolfman Jack as himself in a cameo appearance. John Milner : [14] Lucas, Huyck and Katz rewrote the second draft together, which, in addition to Modesto, was also set in Mill Valley and Los Angeles. Hey, Laurie, what in hell are you doin' in there? : Hey, get down! : Curt has second thoughts about leaving his home with Steve to attend an East Coast college. Laurie, Steve's girlfriend and Curt's sister, arrives moments later, Steve suggesting to her that they see other people while he is away at college to "strengthen" their relationship. I ain't goin' off to some goddamned fancy college. Whether or not you accept "More American Graffiti" as canon is up to you. There, Lucas met David Picker, then president of United Artists, who was intrigued by American Graffiti and Lucas's space opera. Teamed Up W/ Conor's Proper No. Grungy? John Milner Debbie Dunham : Wow, you're just like the Lone Ranger. Good, a cop. "[49], Vincent Canby of The New York Times wrote, "American Graffiti is such a funny, accurate movie, so controlled and efficient in its narrative, that it stands to be overpraised to the point where seeing it will be an anticlimax. [14] The studio, therefore, submitted a long list of over 60 alternative titles, with their favorite being Another Slow Night in Modesto[17] and Coppola's Rock Around the Block. Walter was flattered, but initially tried to sell Lucas on a different screenplay called Barry and the Persuasions, a story of East Coast teenagers in the late 1950s. Yes! : How to Market Your Business with Webinars. Expectin' some action? : Set in Modesto, California, in 1962, the film is a study of the cruising and early rock 'n' roll cultures popular among Lucas's age group at the time. What the hell's goin' on here, Toad? In More American Graffiti, John Milner was revealed to have been killed by a drunk driver in December 1964 (reminiscent of the death of James Dean in 1955, . : [70] The film's box-office success made George Lucas an instant millionaire. Terry Fields : Yeah, I'll die soon, then it'll all be over, John. [21] After CinemaScope proved to be too expensive,[16] Lucas decided American Graffiti should have a documentary-like feel, so he shot the film using Techniscope cameras. An epilogue prior to the end credits reveals that John was killed by a drunk driver in 1964, Terry was reported missing in action near An Lc in 1965, Steve is an insurance agent in Modesto and Curt is a writer living in Canada. The audience at American Graffiti appears to be ecstatically happy condescending toward its own past how cute we were at seventeen, how funny, how lost but for women the end of the picture is a cold slap At the close, it jumps to the present and wraps up the fates of the four principal male characters as if lives were set ten years after high school! [30] Producer Coppola sided with Lucas against Tanen and Universal, offering to "buy the film" from the studio and reimburse it for the $775,000 (equivalent to $5million in 2021)[33] it had cost to make it. John Milner : : Bob Falfa : Just do as I say! Harrison Ford makes an appearance as BobFalfa, John's drag race rival. "[31], The choice of music was crucial to the mood of each scene; it is diegetic music that the characters themselves can hear and therefore becomes an integral part of the action. Click here to add more. : Girl in Cadillac When the movie was reedited in 1978, the date of his death was changed to December of 1964, most likely in anticipation of the release of its sequel, More American Graffiti. Yeah, she's goin' with me. 1. In his review for The Washington Post, Gary Arnold critiqued Norton's visual experimentation: "All this fussy, arbitrary switching of scenes, years and aspect ratios may wow them back in film school, but the complicated framework reveals nothing but one inconsequential or misleading vignette after another. : : The album contains all the songs used in the film (with the exception of "Gee" by the Crows, which was subsequently included on a second soundtrack album), presented in the order in which they appeared in the film. GEORGE LUCAS MADE THE MOVIE PARTIALLY OUT OF SPITE. Make no mistake: American Graffiti is George Lucas masterpiece. John Milner is the tritagonist of the film American Graffiti. Bye, Curt. Date of death [10] Universal presidents Sidney Sheinberg and Lew Wasserman heard about the praise the film had been garnering in LA and New York, and the marketing department amped up its promotion strategy for it,[10] investing an additional $500,000 (equivalent to $3.1million in 2021)[33] in marketing and promotion. Carol While Lucas was working on his first film, THX 1138, Coppola asked him to write a coming-of-age film. Carol . It's past my curfew. : John Milner What a chop! I'm sorta' embarrassed to be this close to ya! John Milner is the tritagonist of the film American Graffiti. [28] Lucas completed his final cut of American Graffiti, which ran 112 minutes, in December 1972. Girl in Cadillac The genesis of American Graffiti took place in Modesto in the early 1960s, during Lucas's teenage years. about 1942 (according to the yearbook) Quit laughing! [puts the ticket in the glove compartment which is full of similar tickets]. John Milner I'm stayin' right here. More American Graffiti is a 1979 American coming-of-age comedy film written and directed by Bill L. Norton. John is still a drag racer, and he falls. You're gonna hafta do one hell of a lot more than that to scare me! Male In 1972, he appeared in American Graffiti (released in 1973), a coming-of-age film about a group of friends in Modesto, California in the early 1960s. [11][12] During this time, Lucas conceived the idea for a space opera (as yet untitled) which later became the basis for his Star Wars franchise. : Oh. You're talking to the woman I love. One ten cent coke with ice. : The only real cool character in the American Graffiti movie series, essentially the person who The Fonz was based on in the television series. No sweat - my mother does it. At the 1971 Cannes Film Festival, THX was chosen for the Directors' Fortnight competition. What happened to John Milner in American Graffiti? Movies. What's your name? The whole strip is shrinking! Say, I like the color of your car there, man. After leaving the hop, he is coerced into joining a group of greasers called "The Pharaohs", who force him into several tasks including stealing coins from arcade machines and hooking a chain to a police car, ripping out its back axle. That just makes us more depressed than we were before. Suzanne Somers, Kathleen Quinlan, Debralee Scott, and Joe Spano also appear in the film. Set during a summer night in Modesto, 1962. markybgoode 1.64K subscribers Subscribe 3.5K Share Save 548K views 11 years ago A 20 minute insightful conversation with Paul. Brian Wagner's 1932 Ford 5-window coupe just might be the world's fastest tribute to John Milner's 1932 Ford 5-window coupe seen in the juvenile delinquent cult classic movie American Graffiti . Terry 'The Toad' Fields : That's great, man, that's really great. I realized after making THX that those problems are so real that most of us have to face those things every day, so we're in a constant state of frustration. 2 What did Suzanne Somers Drive in American Graffiti? Carol : [17], Production proceeded with virtually no input or interference from Universal since American Graffiti was a low-budget film, and executive Ned Tanen had only modest expectations of its commercial success. John Milner Steve Bolander, Terry "The Toad" Fields, Curt Henderson, Laurie Bolander, Debbie Dunham, Carol Morrison, fellow mechanics, Zudo, Beckwith, Eva, Teensa [12] Clearing the music licensing rights had cost approximately $90,000,[31] and as a result, no money was left for a traditional film score. Yeah, I think so. [8], After Warner Bros. abandoned Lucas's early version of Apocalypse Now (during the post-production of THX 1138), the filmmaker decided to continue developing Another Quiet Night in Modesto, eventually changing its title to American Graffiti. Meanwhile, skilled racer Bob Falfa is searching out John to challenge him to the defining race for John's drag-racing crown. [5] In December 1997, Variety reported that the film had earned an additional $55.13million in rental revenue (equivalent to $93million in 2021). | [22] 20th Century Fox and Paramount Pictures made similar offers to the studio. [9] Because American Graffiti's main cast was for younger actors, the casting call and notices went through numerous high-school drama groups and community theaters in the San Francisco Bay Area. And Terry disappeared in Vietnam a year later, so the movie pitches forward again. That's pretty good! Yeah, I'll die soon, then it'll all be over, John. Date of death December 31, 1964 Physical description Gender Male Height 5'12" (1,82 m) Eye color blue Behind the scenes Actor Paul Le Mat Our community needs more information on this page! In 1995, the United States Library of Congress deemed the film "culturally, historically, or aesthetically significant" and selected it for preservation in the National Film Registry. In the movie, it was "the fastest thing in the valley.". Madman : After take off, he gazes out the window and sees the white Thunderbird driving along the road below. It's an empathetic look at the distances in which our sorrows can migrate.". Mind your own business, John! He finally speaks to The Blonde, who does not reveal her identity but hints at the possibility of meeting that night. What's that s'posed to be? The studio eventually proposed a flat deal that offered every music publisher the same amount of money. : [15] As he continued to work on the script, Lucas encountered difficulties on the Steve and Laurie storyline. The film is the first movie to be produced by George Lucas's company Lucasfilm. You take care of yourself, man. [54] Dave Kehr, writing in the Chicago Reader, called the film a brilliant work of popular art that redefined nostalgia as a marketable commodity, while establishing a new narrative style.[55]. Carol : Lucas convinced the San Rafael City Council to allow two further nights of filming for general cruising shots, which he used to evoke as much of the intended location as possible in the finished film. [23], More problems ensued during filming; Paul Le Mat was sent to the hospital after an allergic reaction to walnuts. Filmphest argues "they do provide a contrast of the carefree past with the more troubling future, but they also kill some of the mystique around the picture and unnecessarily close events that could have been left more open-ended." The Bullet Points: Movie Appeared: Directed by George Lucas, this 1973 classic is filled with cruising-for-a-bruising teens, young love, and all of the feels of the last summer before college. Steve, on the other hand, looks forward to this change and tries to convince his devoted girlfriend Laurie (Cindy Williams) to break up so they can date other people. [28] Jan D'Alquen and Ron Eveslage were hired as the cinematographers, but filming with Techniscope cameras brought lighting problems. : Curt Henderson : [11], Lucas was dismayed when he returned to America in June 1971 and read Walter's script, which was written in the style and tone of an exploitation film, similar to 1967's Hot Rods to Hell. 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